COLLECTION 03

Marble.

The wall becomes part of the sculpture.

Classical figures reimagined to emerge directly from the architectural surface. Heads, hands and bodies are not simply hung on the wall: they surface from it, interrupt its continuity and transform an everyday plane into an active part of the work.

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MARBLE COLLECTION

The wall is not a backdrop.
It becomes part of the work.

Marble begins with the idea of moving sculpture beyond its traditional form. The works are designed to integrate with the wall and use its surface as part of the composition. Viewpoint, depth and the distance between elements all help define the character of each figure.

01

Emerge

The figure appears to continue beyond the visible surface. The clean cut against the wall creates the illusion that the sculpture belongs to the architecture rather than simply being placed upon it.

02

Compose

Head, hands, wings or portions of the body can exist as separate elements. Their distance and arrangement create a composition that changes with the wall that hosts it.

03

Project

Depth is not merely technical: it determines how the work is perceived. A figure moving toward the viewer gains dynamism while retaining a compact, domestic scale.

THE MARBLE LANGUAGE

Between surface and volume.

Marble explores the boundary between relief and sculpture. The Emerging Angel expresses this principle directly: the body leans forward, the hands seem to press against the wall, and the wings expand the composition without making it monumental. At a scale of around 25 cm, the figure maintains a credible relationship with the domestic setting and makes the gesture visible without dominating the space.

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THE WORKS

Three ways of
crossing the wall.

Three interpretations of the same principle: elements emerging from the surface and building a direct relationship with the viewer. Each work uses depth, distance and gesture in a different way.

01

Pensive David

David’s face meets a bronze hand that extends the gesture beyond the wall. Two separate elements create a single figure suspended between classical memory and contemporary interpretation.

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02

Revealed David

Face and hand share the same bone-white tone and seem to surface from two separate points. An essential composition built on the distance between the elements and the gesture of the hand.

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03

Emerging Angel

A young angel appears to push itself out of the wall. The leaning body, open hands and wings detached from the surface turn a compact figure into a dynamic, weightless gesture.

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MARBLE COLLECTION

The wall does not contain the work.
It becomes part of it.

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